Distraction-free

Skye Jethani has written a blog post this week on the way in which we as 'church' regard those in our midst who are disturbances of some sort or other. He's discussing a situation in a church named 'Elevation' in which a boy with cerebral palsy was 'escorted out' (according to the mother) or moved to another part of the auditorium (according to church officials). He was a 'distraction' and the church's goal is "to offer a distraction free environment for all our guests."

As you might imagine, Jethani is disturbed by this attitude. Whatever the best intentions of the church are/were, his view is that church is a place where distraction is one of those things you put up with....because all the people in attendance are part of the family. Certainly it can be difficult for a minister doing his best to preach well to have someone in the congregation making a lot of noise (not that this boy was, apparently). Unwarranted noise can be an interruption to a well-prepared skit/drama/whatever sort of presentation.

But as Jethani notes: when I come freely to worship the Living God and gather with his people whom he describes as the foolish, weak, and despised in the world (1 Cor 1:26-28)--I do not expect a distraction free environment.

Church is not a cinema, a rock shop, a theatre, a performing arts centre. You might perhaps expect a distraction-free environment in any one of those places (although what you might expect and what you get aren't necessarily the same thing). Church is family, and in a family you put up with the noisy, sloppy baby, the irritating toddler, the old person heading towards dementia.

If we lose that, we're heading away from what church is about. Aren't we?

Preaching as performance

"The second misconception is that performance [in preaching] is mere playacting. It's easy to assume that theatrics is about manipulating people for mere entertainment, that is, entertainment for entertainment's sake. When this is done with preaching, the delivery is embellished and actually impedes the communication of the message. Bad performances in the pulpit are as obvious as bad acting on the stage or screen. The only time we usually notice actors acting is when their craft is poor. It's the same with preaching. When it's done masterfully, the preacher almost disappears.

Good preaching comes alive and speaks to the heart precisely because it is well presented, with proper gesture, vocal technique, and bodily presence. People in the performing arts call this "stage presence." We might call it liturgical presence, or pulpit presence. All effective communicators realize that they must master numerous techniques in order to impact their audience."

From Preaching is Performance Art, by Clayton Schmit