Community and Common Purpose

Having spent a number of months over the last few years being involved (as an actor) in various amateur plays, notably the Narnia productions for Dunedin City Baptist, and many years before that as the pianist for various concert groups, I was interested to read the following in Michael Frost's book, Exiles - living missionally in a post-christian culture.

Many people undergo something of a communitas experience in their daily lives. Sporting teams, theatre companies, orchestras, bands, dance troupes – these kinds of societies all know something, perhaps just a whiff, of the concept of communitas. When a group of musicians or dancers are performing, every member must play his or her part well, not just individually, but in concert with the others. The sense of interdependence can be very exciting. Jazz musicians speak of the almost spiritual nirvana they sense when all members of the band are playing in perfect harmony. Any member of a sports team can recall something of the profound sense of intimacy felt with teammates when individual contributions to the game create a force greater than the sum of their parts.

When an amateur theatre group begins rehearsals, it can be just a rag-tag assembly of would-be thespians. But on the stage, galvanized by the urgency of the impending opening night, they are transformed into something else. With the script as their guide, they are forced together by the ‘ordeal’ of knowing that soon they will be giving public performances.

One young amateur actor once told me that he felt a greater sense of belonging and acceptance in this theatre company than in his church. I suppose he thought that it had to do with the quality of the people in the theatre as compared with those in the church. But the fact remains that churches are full of marvellous, kind, caring people, every bit as accepting as theatre people. The fundamental difference is that churches are working on community, while an amateur theatre group is a kind of communitas.

Pg 116 Hendrickson paperback edition, 2007

I'm not sure that I agree with Frost's conclusion about how the young actor felt: the quality of people in a theatre company may be just as diverse as anywhere else. In fact there will be some that you don't feel any great kinship with. But in the doing of the play together, even the most diverse people are pulled together into something greater than themselves.