Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts

Thursday, March 05, 2009

God's view of religion


From Charles Slagle's book, From the Father's Heart, page 76. God writing, with a degree of tongue-in-cheek, to his son, Charles.

Believe it or not, I too find religion boring - extremely boring. In fact, I often find it annoying. Has it occurred to you that I might be interested in many other subjects? I AM. My range of interest just might be even wider than yours!

I like various sports, arts, writing, music - and jokes. And although some would be shocked to hear it, I enjoy theatre and dancing immensely. And why not? I AM the Inventor, if you recall. I also happen to be very fond of animals. Or haven't you noticed? Oh, yes, I AM an incurable bird watcher and sparrows are some of My favourites. Geography and astronomy never cease to interest Me, and I also delight in chemistry and micro-biology. No doubt you have observed this.

Yet, like yourself, I AM repelled by meaningless rituals and routines. The realm of organised religion is very dull and drab, I think. Its goals and interests are mostly unrelated to Mine. If I attend a religious event, I do so strictly from a sense of duty - you can be sure of that. I make it a policy to attend only if I AM invited, so, as you surmise, I rarely go at all. By that I mean My heart is not in it. In one sense it would be impossible for Me not to be there. Perhaps that is what might be called one of the less fortunate aspects of being omnipresent?

We have more in common than you think! I find flowery speeches a bore, tradition tedious and I hate religiosity. But I do love people. That is why I can't just simply give up on the Church. But isn't that the way love is? Love doesn't have an 'off and on' switch. At least, My kind never does.

Besides, when I think of the Church I think of My family. In My view, the religious rat race is a universe removed from what the Church is really about.

Thursday, February 12, 2009

Community and Common Purpose


Having spent a number of months over the last few years being involved (as an actor) in various amateur plays, notably the Narnia productions for Dunedin City Baptist, and many years before that as the pianist for various concert groups, I was interested to read the following in Michael Frost's book, Exiles - living missionally in a post-christian culture.

Many people undergo something of a communitas experience in their daily lives. Sporting teams, theatre companies, orchestras, bands, dance troupes – these kinds of societies all know something, perhaps just a whiff, of the concept of communitas. When a group of musicians or dancers are performing, every member must play his or her part well, not just individually, but in concert with the others. The sense of interdependence can be very exciting. Jazz musicians speak of the almost spiritual nirvana they sense when all members of the band are playing in perfect harmony. Any member of a sports team can recall something of the profound sense of intimacy felt with teammates when individual contributions to the game create a force greater than the sum of their parts.

When an amateur theatre group begins rehearsals, it can be just a rag-tag assembly of would-be thespians. But on the stage, galvanized by the urgency of the impending opening night, they are transformed into something else. With the script as their guide, they are forced together by the ‘ordeal’ of knowing that soon they will be giving public performances.

One young amateur actor once told me that he felt a greater sense of belonging and acceptance in this theatre company than in his church. I suppose he thought that it had to do with the quality of the people in the theatre as compared with those in the church. But the fact remains that churches are full of marvellous, kind, caring people, every bit as accepting as theatre people. The fundamental difference is that churches are working on community, while an amateur theatre group is a kind of communitas.

Pg 116 Hendrickson paperback edition, 2007

I'm not sure that I agree with Frost's conclusion about how the young actor felt: the quality of people in a theatre company may be just as diverse as anywhere else. In fact there will be some that you don't feel any great kinship with. But in the doing of the play together, even the most diverse people are pulled together into something greater than themselves.